Diana Ernestine Earle Ross (born March 26, 1944) is an
American singer and actress. Ross was lead singer of the Motown group
The Supremes during the 1960s. After leaving the group in 1970, Ross
began a solo career that included successful ventures into film and
Broadway. She received a Best Actress Academy Award nomination for
her role as Billie Holiday in Lady Sings the Blues (1972), for which
she won a Golden Globe award. She won several American Music Awards,
garnered twelve Grammy Award nominations, and won a Tony Award for
her one-woman show, An Evening with Diana Ross, in 1977.
In 1976, Billboard magazine named her the "Female Entertainer
of the Century." In 1993, the Guinness Book of World Records
declared Diana Ross the most successful female music artist in history
due to her success in the United States and United Kingdom for having
more hits than any female artist in the charts with a career total
of 18 number one records in the United States. Diana Ross has sold
more than 100 million records worldwide.
Ross is one of the few recording artists to have two stars on the
Hollywood Walk of Fame—one as a solo artist and the other as
a member of The Supremes. In December 2007, she received a John F.
Kennedy Center for the Performing Arts Honors Award.
Contents
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[edit] Early life
Diana Ross, the daughter of Ernestine (née Moten) (January
27, 1916 – October 9, 1984), a schoolteacher, and Fred Ross,
Sr. (July 4, 1920 – November 21, 2007), a former United States
Army soldier, was born at Hutzel Women's Hospital[5] in Detroit,
Michigan. Ross said she didn't see her father until he returned from
serving in World War II. Much has been made of whether her first
name ends in an "a" or an "e". According to Ross,
her mother actually named her "Diane" but a clerical error
resulted in her name being recorded as "Diana" on her birth
certificate. She always went by "Diane" at home and at
school. Her high school yearbook listed her as "Diana" and
as early as 1963, when The Supremes released their first album, she
was listed in the liner notes as "Diana". At The Supremes'
first Copacabana engagement in 1965, she introduced herself to the
audience as "Diane", but later that year she started introducing
herself as "Diana". Her intimates still call her "Diane".[6][7]
After living on Belmont Road in Detroit's North End for several
years, Ross's family settled on St. Antoine Street in the Brewster-Douglass
housing projects on Diana's fourteenth birthday in 1958. Ross aspired
to be a fashion designer, and studied design, millinery, pattern-making
and seamstress skills while attending Cass Technical High School,
a four-year college preparatory magnet school, in downtown Detroit.
In her late teens, Ross worked at Hudson's Department Store where,
it was claimed in biographies, that she was the first black employee "allowed
outside the kitchen". Ross graduated in January 1962, one semester
earlier than her classmates. Ross' parents had a difficult marriage
and separated when Ross was still in her teens.
[edit] Career
[edit] The Supremes: 1959–1970
Main article: The Supremes
In 1959, Ross was brought to the attention of Milton Jenkins, the
manager of the local doo-wop group The Primes, by Mary Wilson. Primes
member Paul Williams convinced Jenkins to enlist Ross in the sister
group The Primettes, which included Wilson, Florence Ballard and
Betty McGlown. Ross, Wilson and Ballard each sang lead during live
performances. In 1960, Lu Pine Records signed the group and issued
the Ross-led single "Tears of Sorrow" backed with the Wilson-led "Pretty
Baby". After winning a singing contest in Winnipeg, Manitoba,
Ross approached former neighbor Smokey Robinson for an audition at
the label with which he recorded with, Motown Records. The group
garnered the audition and impressed Motown's CEO, Berry Gordy, Jr.
(who arrived at the audition during the group's performance), but
declined to work with the group due to their being underaged. Undeterred,
the group would stand outside the label's Hitsville USA studios hoping
to grab attention, eventually providing backing vocals & hand
claps for many of Motown's more established artists. Meanwhile during
the group's struggling early years, Ross earned pay in the day as
Berry Gordy's secretary. She also served at the group's main hair
stylist, make-up artist, seamstress & costume designer during
this period.
The Supremes in 1965. Left to right: Florence Ballard, Mary Wilson
and Diana Ross.
In 1961, having already replaced McGlown with Barbara Martin, the
quartet signed with Motown Records under their new moniker, The Supremes,
chosen by Florence Ballard, who was the only member to be present
when the group was offered a name change. Both Ross and Wilson initially
disliked the name, afraid they would be mistaken for a men's group
(Ruby & The Romantics' original name was The Supremes) but the
name stuck regardless.
Following Martin's exit in 1962, the group remained a trio. In 1963,
Ross became the group's lead singer, as Berry Gordy felt the group
could "cross over" to the pop charts with Ross' unique
vocal quality, and the Ross-led "When the Lovelight Starts Shining
Through His Eyes" became the group's first Billboard Top 20
Pop single. The Supremes hit number one with "Where Did Our
Love Go", a song rejected by The Marvelettes, and then achieved
unprecedented success: between August 1964 and May 1967, Ross, Wilson
and Ballard sang on ten number-one hit singles, all of which also
made the United Kingdom Top 40.
Gordy removed Florence Ballard from the group in July 1967 and chose
Cindy Birdsong, a member of Patti LaBelle and the Bluebelles, as
her replacement. Shortly thereafter, he changed the group's name
to Diana Ross & the Supremes.
Motown initially conceived of a solo career for Diana Ross in 1966,
but did not act on it until 1968. Television specials such as TCB
(1968) and G.I.T. on Broadway (1969) were designed to spotlight her
as a star in her own right, and much of the later Ross-led Supremes
material was recorded by Ross with session singers The Andantes,
not Wilson and Birdsong, on backing vocals. By the summer of 1969,
Ross began her first solo recordings. In November of the same year,
three years after it was first rumored, Billboard magazine confirmed
Ross's departure from the group to begin her solo career. That same
year, Ross introduced Motown's newest act, The Jackson 5, to national
audiences on the Hollywood Palace television variety program.
Ross recorded her initial solo sessions with a number of producers,
including Bones Howe and Johnny Bristol. Her first track with Bristol, "Someday
We'll Be Together", was tagged as a potential solo single, but
it instead was issued as the final Diana Ross & the Supremes
release. "Someday We'll Be Together" was the 12th and final
number-one hit for the Supremes and the last American number-one
hit of the 1960s. Ross made her final appearance with the Supremes
at the Frontier Hotel in Las Vegas on January 14, 1970.
[edit] Early solo career: 1970–1981
Ross's first solo LP, Diana Ross, featured her first solo number-one
hit, "Ain't No Mountain High Enough".
After a half-year of recording material with various producers,
Ross settled with the production team of Nickolas Ashford and Valerie
Simpson, the creative force behind Marvin Gaye's and Tammi Terrell's
hit duets and Diana Ross & the Supremes' "Some Things You
Never Get Used To". Ashford and Simpson helmed most of Ross's
first album, Diana Ross, and continued to write and produce for her
for the next decade.
In May 1970, Diana Ross was released on Motown. The first single,
the gospel-influenced waltz, "Reach Out and Touch (Somebody's
Hand)", peaked at number 20 on the Billboard Hot 100. The album's
second single, a fully rearranged cover of Gaye's and Terrell's 1967
hit, and another Ashford and Simpson composition, "Ain't No
Mountain High Enough", was an international hit, and gave Ross
her first #1 pop single and gold record award as a solo artist. "Ain't
No Mountain High Enough" received a Grammy nomination for Best
Pop Vocal Performance, Female. In 1971, Motown released Ross's second
album Everything Is Everything, which produced Ross's first UK number-one
solo single, "I'm Still Waiting". Several months later,
Ross released Surrender, which included the top-20 pop hit, "Remember
Me". That year, she hosted her first solo television special,
Diana!, featuring guest appearances by The Jackson 5, Bill Cosby
and Danny Thomas.
In 1973 Ross returned to number-one with the single "Touch
Me in the Morning". The album of the same name became her first
top five charted pop release. Later that same year, Ross and fellow
Motown star Marvin Gaye released a duet album, Diana & Marvin.
The duo scored an international hit with their cover of The Stylistics' "You
Are Everything". Ross' 1974 follow-up album, Last Time I Saw
Him, wasn't as successful despite the success of its country-tinged
title track. Two years later Ross ventured into disco with "Love
Hangover", which returned her to number-one. The self-titled
parent album became another top five hit and included her previous
number-one, the movie theme, "Do You Know Where You're Going
To (Theme from Mahogany)". Ross' subsequent follow-ups, including
Baby It's Me (1977) and Ross (1978) fell off the charts soon after
they appeared. Ross did have success with her first Broadway one-woman
show, An Evening with Diana Ross. Her performance later won her a
Tony. She was featured in TV special with the same name.
Diana Ross's landmark 1980 album, diana, was her final LP for Motown
before leaving for RCA the following year.
In 1979 Ross hired former collaborators Ashford & Simpson, who
had left Motown in 1973 due to contractual issues with Berry Gordy,
to overlook the production of her next album, The Boss. That album
produced the hit title track and the modestly successful "It's
My House". Ross' working relationship with Berry Gordy had deteriorated
at that point as Gordy refused to be an executive producer of the
project. In 1980, Ross hired Nile Rodgers and Bernard Edwards of
the group CHIC to overlook production of her final contractual Motown
album, diana. That album led to major success with "Upside Down" returning
Ross to number-one on the pop charts for the first time since "Love
Hangover". Its follow-up, "I'm Coming Out", was as
successful and both songs found major success overseas. When Upside
Down hit #1 in 1980, Diana Ross became the first woman in music history
to chart 6 #1 records. Combining her 12 as lead singer of The Supremes,
Diana Ross' career total of number one records is 18, the most for
any female recording artist in music history. Mariah Carey tied Ross'
record in 2007.
In 1981, Ross decided not to renew her Motown contract only to discover
that everything she thought she had owned was only leased to her
by Berry Gordy. Ross accepted a $20 million deal with RCA in 1981,
then the most lucrative contract in music. To complete contractual
obligations to Motown, Ross recorded several songs with Lionel Richie,
one of which, "Endless Love", led to the duo having an
international number-one hit. The song was the theme song of the
movie of the same name. Motown issued a compilation album, To Love
Again, to compete with Ross' RCA debut.
[edit] Film career: 1972–1999
Main articles: Lady Sings the Blues (film), Mahogany (film), The
Wiz (film), Out of Darkness, and Double Platinum
Though Ross had previously appeared in two films while a member
of The Supremes, it wasn't until the early 1970s when Berry Gordy
began to focus on making Ross an actress. In late 1971, Motown announced
that Diana Ross was going to portray jazz icon Billie Holiday in
a Motown-produced film loosely based on Holiday's autobiography Lady
Sings the Blues (1956) written by Holiday and William Dufty. The
movie co-starred Billy Dee Williams as Holiday's lover, Louis McKay.
The cast also included comedian Richard Pryor as the "Piano
Man".
Some critics ridiculed Ross's casting in the role. Ross and Holiday
were considered to be "miles apart" in vocal styling and
appearance. Undeterred, Ross immersed herself in Holiday's music
and life story. She went to drug clinics and talked with doctors
as research for the role. Ross made a crucial decision when it came
to interpreting Holiday's music. Instead of imitating Billie Holiday's
voice, Ross focused on Holiday's inimitable vocal phrasing.
Opening in October 1972, Lady Sings the Blues was a major success,
and Ross's performance was lauded and well received. Jazz critic
Leonard Feather, a friend of Billie Holiday, praised Ross for "expertly
capturing the essence of Lady Day." In 1973, Ross was nominated
for both a Golden Globe Award and an Academy Award for "Best
Actress". Ross along with fellow nominee that year Cicely Tyson,
were the second African American actresses to be nominated for an
Academy Award for Best Actress after Dorothy Dandridge. Ross won
the Golden Globe for Best Newcomer, but lost the Best Actress Oscar
to her friend Liza Minnelli for her role in Cabaret. The soundtrack
album for Lady Sings the Blues reached number one on the Billboard
200 for two weeks and broke then industry records by shipping 300,000
copies during its first eight days of release. The double-pocket
custom label record is one of Ross's best-selling albums of all time,
with total sales to date of nearly two million copies.
In 1975, Ross again co-starred with Billy Dee Williams in the Motown
film Mahogany. The story of an aspiring fashion designer who becomes
a runway model and the toast of the industry, Mahogany was a troubled
production from its inception. The film's original director, Tony
Richardson, was fired during production and Berry Gordy assumed the
director's chair himself. In addition, Gordy and Ross clashed during
filming, with Ross leaving the production before shooting was completed,
forcing Gordy to use secretary Edna Anderson as a body double for
Ross. While a box office success, the film was not well received
by the critics: Time magazine's review of the film chastised Gordy
for "squandering one of America's most natural resources: Diana
Ross".[8]
In 1977, Motown acquired the film rights to the Broadway play The
Wiz, an African-American reinterpretation of L. Frank Baum's The
Wonderful Wizard of Oz. Although teenage Stephanie Mills, a veteran
of the play, was originally cast as Dorothy, Ross convinced Universal
Pictures producer Rob Cohen to have Ross cast as Dorothy. Because
of Ross' age, the script was modified to make the protagonist a school
teacher rather than a schoolgirl. Among Ross's costars were Lena
Horne, Michael Jackson, Richard Pryor, Nipsey Russell and Ted Ross.
Upon its October 1978 release, the film adaptation of The Wiz, a
$24 million production, earned $21,049,053 at the box office.[9][10][11]
Though pre-release television broadcast rights had been sold to CBS
for over $10 million, the film produced a net loss of $10.4 million
for Motown and Universal.[10][11] At the time, it was the most expensive
film musical ever made.[12] The film's failure ended Ross' short
career on the big screen and contributed to the Hollywood studios'
reluctance to produce the all-black film projects which had become
popular during the blaxploitation era of the early-to-mid 1970s for
several years.[13][14][15] The Wiz was Ross' final film for Motown.
Ross had success with movie-themed songs. While her version of Holiday's "Good
Morning Heartache" only performed modestly well in early 1973,
her recording of "Theme from Mahogany (Do You Know Where You're
Going To)" gave Ross her fourth number-one hit in late 1975.
Three years later, Ross and Michael Jackson had a modest dance hit
with their recording of "Ease on Down the Road". Their
second duet, actually as part of the ensemble of The Wiz, "Brand
New Day", found some success overseas. Ross scored a Top 10
hit in late 1980 with the theme song to the 1980 film It's My Turn.
The following year, she collaborated with former Commodores singer-songwriter
Lionel Richie on the theme song for the film Endless Love. The Academy
Award-nominated "Endless Love" single became her final
hit on Motown Records, and the number one record of the year. Several
years later, in 1988, Ross recorded the theme song to The Land Before
Time. "If We Hold On Together" became an international
hit reaching number-one in Japan.
Ross would be given movie offers over the years but reportedly turned
them down because of either contractual obligations or fears of being
typecast. Ross had campaigned to portray pioneering entertainer Josephine
Baker in a feature film even during her later years in Motown. However,
in 1991, the feature film turned into a TV film with Lynn Whitfield
playing Baker instead of Ross. Ross was also offered a role in an
early adaptation of The Bodyguard with Ryan O'Neal. However, plans
of this adaptation fell through. Years later, Whitney Houston and
Kevin Costner assumed the roles of Ross and O'Neal in the 1992 film.
In 1993, Ross returned to making movies with a dramatic role in the
TV film, Out of Darkness. Ross won acclaim for her role in the film
and a well earned third Golden Globe nomination. In 1999, she and
Brandy co-starred in the film, Double Platinum, which was released
prior to the release of Ross' album, Every Day Is a New Day.
[edit] Later solo career: 1981–1999
Why Do Fools Fall in Love was Ross's debut LP for Ross Records distributed
by RCA Records.
Diana Ross's RCA Records debut, Why Do Fools Fall in Love, was issued
in October 1981. The album yielded three Top 10 hits including the
title track "Why Do Fools Fall in Love", a remake of the
1956 Frankie Lymon & the Teenagers classic of the same name,
and the single "Mirror Mirror". A third single, "Work
That Body", hit the Top Ten in the UK. That success was repeated
if only more modestly with the 1982 album, Silk Electric. Ross' recording
of Michael Jackson's "Muscles" gave Ross another top ten
hit. Ross' 1983 album, Ross, failed to produce any success.
On July 21, 1983, Ross performed a concert in Central Park for a
taped Showtime special. Proceeds of the concert would be donated
to build a playground in the singer's name. Midway through the beginning
of the show, a torrential downpour occurred. Ross tried to keep on
performing, but the severe weather required that the show be stopped.
Ross urged the large crowd to exit the venue safely, promising to
perform the next day. The second concert held the very next day was
without rain. The funds for the playground were to be derived from
sales of different items at the concert; however, all profits earned
from the first concert were spent on the second. When the mainstream
media discovered the exorbitant costs of the two concerts, Diana
Ross faced criticism and poor publicity. Although representatives
of Diana Ross originally refused to pay anything for the proposed
playground, Ross later paid the $250,000 required to build the park.
The Diana Ross Playground was finally built three years later.[16]The
Diana Ross Playground at 83rd and Central Park West is a beautiful
assortment of wood structures and classic outdoor children's gym
obstacles making it a lovely addition to the park.
In 1984, Ross' career was revived modestly again with the release
of Swept Away. The title track became an international hit as did
the ballad, "Missing You", which was a tribute to Marvin
Gaye, who had died earlier that year. Her 1985 album, Eaten Alive,
found success overseas with the title track and "Chain Reaction",
while neither of the songs found success in America. Earlier in 1985,
she appeared as part of the supergroup USA for Africa on the "'We
Are the World'" charity single, which sold over 20 million copies.
Ross' 1987 follow up to Eaten Alive, Red Hot Rhythm & Blues,
found less success than the prior album. In 1988, Ross chose to not
renew her RCA contract.
Motown Records was being sold by Berry Gordy for $60 million. Ross
advised Gordy not to make the move. Before leaving Motown, Gordy
offered Ross a contract back to Motown. Ross was at first hesitant
to return to the label but agreed after Gordy offered her part-ownership
of the label. Despite initial promotion, Ross' next album, Workin'
Overtime, bombed. Subsequent follow-ups including The Force Behind
the Power (1991), Take Me Higher (1995) and Every Day is a New Day
(1999) produced similarly disappointing sales. Ross had more success
overseas with the albums than she did in America. In 1994, Ross performed
at the opening ceremony of the FIFA World Cup, hosted in the USA.
Her performance has become a running joke in football circles due
to her obvious miming and for missing the goal from close range.[17][18]
In 1999, she was named the most successful female singer in the history
of the United Kingdom charts, based upon a tally of her career hits.
Madonna would eventually succeed Ross as the most successful female
artist in the UK.
Later that year, Ross presented at the 1999 MTV Video Music Awards
in September of the year and shocked the audience by touching rapper
Lil' Kim's exposed, pasty-covered breast, amazed at the young rapper's
brashness.[19]
[edit] Supremes reunions and Return to Love
Main articles: Motown 25: Yesterday, Today, Forever and Return to
Love Tour
In 1983, Ross reunited with former Supremes Mary Wilson and Cindy
Birdsong for the television special Motown 25: Yesterday, Today,
Forever. The three performed their 1969 number-one hit "Someday
We'll Be Together", although alleged onstage altercations between
Ross and Wilson became an issue during and after the taping of the
special. A four-song Supremes set was planned but Ross, suffering
from influenza, declined to rehearse with "The Girls" and
stated that they would have to be happy just doing "Someday
We'll Be Together". Before the special was taped later that
evening, Wilson allegedly planned with Birdsong to take a step forward
every time Ross did the same. This appeared to frustrate Ross, causing
her to push Wilson's shoulder. Later, Wilson was not aware of the
script set by producer Suzanne DePasse, in which Ross was to introduce
Berry Gordy. Wilson took it upon herself to do so,[20] at which point
Ross pushed down Wilson's hand-held microphone, stating "It's
been taken care of." Ross, then, introduced Gordy.[21] These
incidents were excised from the final edit of the taped special,
but still made their way into the news media; People magazine reported
that "Ross [did] some elbowing to get Wilson out of the spotlight."[22]
The original Supremes were inducted to the Rock & Roll Hall
of Fame in 1988. Original member Florence Ballard had died twelve
years earlier. Ross was performing around the time of the induction
ceremony and was unable to attend; Mary Wilson accepted the award.[citation
needed] In 1999, Ross, Wilson and Cindy Birdsong held discussions
about a possible Supremes reunion tour. These negotiations failed,
and Ross hired late-era Supremes members Lynda Laurence and Scherrie
Payne, who were touring as the Former Ladies of the Supremes, to
participate. The Return to Love tour was launched in June 2000. The
tour did well in large markets, but, struggled in medium markets
due to controversial press stories. Despite selling out the final
evening at Madison Square Garden in New York, the tour ended abruptly
after just fourteen dates.[citation needed] But despite the tour
interruption, it was celebrated as one of the most inventive tours.
[edit] Current work
Wikinews has related news: Kennedy Center names 2007 honors recipients
Following successful European and American tours in 2004, Diana
Ross returned to the Billboard music charts with two duets in 2005. "I've
Got a Crush on You", recorded with Rod Stewart for his album
The Great American Songbook, reached number 19 on the Billboard Hot
Adult Contemporary chart. The second, recorded with Westlife, was
a remake of Ross's 1991 number-2 UK single, "When You Tell Me
You Love Me", and reached number 2 in the UK, just as the original
had, and number 1 in Ireland. In January, 2005, M.A.C. Cosmetics
named Diana Ross its beauty icon for 2005. In June 2006, Motown released
the shelved Blue album, which peaked at number 2 on Billboard's Jazz
Albums chart. Ross' new studio album, I Love You, was released worldwide
on October 2, 2006 and January 16, 2007, in North America, on the
Manhattan Records/EMI label.[23] Since its release in 2007, EMI Inside
reports that I Love You has sold more than 622,000 copies worldwide.
Diana Ross is applauded by her fellow Kennedy Center honorees as
she is recognized for her career achievements by President George
W. Bush in the East Room of the White House Sunday, Dec. 2, 2007,
during the Kennedy Center Gala Reception. From left are singer-songwriter
Brian Wilson; filmmaker Martin Scorsese; Ross; comedian, actor and
author Steve Martin and pianist Leon Fleisher.
In January 2007, Ross appeared on a number of television shows across
the U.S. to promote her new album and began touring in the spring.
She appeared on American Idol as a mentor to the contestants[24]
Ross's United States "I Love You" tour garnered positive
reviews,[25] as did her European tour of the same year.[26]
At the 2007 BET Awards, Ross was presented with a Lifetime Achievement
Award by her five children and singer Alicia Keys. Stevie Wonder,
Erykah Badu and Chaka Khan performed musical tributes to Ross, covering
several of her most popular recordings. During her acceptance speech,
Ross lambasted the declining level of professional standards among
the younger generation's musicians, as well as their overabundant
use of vulgarity and profanity to garner press attention and record
sales. Later that year, the prestigious Kennedy Center Honors committee,
which recognizes career excellence, cultural influence and contributions
to American culture, named Diana Ross as one of its honorees. Past
honoree and fellow Motown alumni Smokey Robinson and actor Terrence
Howard spoke on her behalf at the official ceremony that December,
and singers Ciara, Vanessa L. Williams, Yolanda Adams and American
Idol winner Jordin Sparks performed musical tributes. In February
2008, Ross was guest speaker at the Houston-based Brilliant Lecture
series at The Hobby Center, Houston.
The lectures are designed to present prolific and influential characters
to speak about their life and inspirations. During her lecture Ross
stated that it is "unlikely" that she would undertake any
further movie projects.
In May 2008, Ross headlined at New York City's Radio City Music
Hall's 'Divas with Heart' concert event, which also featured fellow
performers Gladys Knight, Chaka Khan and Patti LaBelle. The following
month she was a headliner at the City Stages music festival in Birmingham,
AL, next to The Flaming Lips. The New York Times said about the duo, "the
most incongruous headliners at an outdoor urban concert series, with
the once-in-a-lifetime-at-most combination of Diana Ross and the
Flaming Lips. Something for everyone, surely." She performed
at two major events in the UK in July 2008: the famous Liverpool
Pops Festival and the National Trust Summer Festival at Petworth
House, West Sussex. On October 16–17, 2009, Diana Ross headlined
the annual Dutch concert event, Symphonica in Rosso, in the 34,000-seat
Gelredome Stadium, in Arnhem, The Netherlands. She was accompanied
by a 40-piece orchestra. Each of the two concerts was sold-out.
Ross performed a cross-country tour in the summer of 2010. The More
Today Than Yesterday: The Greatest Hits Tour featured an all-new
set list, stage design, and costumes galore, and was dedicated to
her friend Michael Jackson who died in June 2009. The tour, which
commenced on May 15, 2010, in Boston, Massachusetts, earned Ross
excellent reviews in every city in which she performed, and concluded
in Saratoga, California. An extended American leg of the tour began
in September, 2010, and is scheduled to continue until March 2011,
in Stamford, Connecticut, after which, another American leg of her
tour will begin on September 11, 2011, at Temecula, CA's Pechanga
Resort and Casino, & continuing throughout autumn, 2011. It is
rumored that Ross will mount European & Asian legs of the tour.
[edit] Personal life
Ross' parents separated when Ross was 17. After 12 years of estrangement,
the couple divorced in 1973. Ernestine Ross later married John Jordan
in 1977. Fred Ross remained divorced, never remarrying. While Ross'
mother was supportive of her career, her father was disappointed
in her choice to be an entertainer rather than attend college like
her other siblings. Biographies later stated Ross' drive was inspired
by a lack of a support she felt from her father. Ross and her father's
relationship repaired over the years until Fred Ross died in 2007.
Ross' mother died in 1984.
Ross' elder sister Barbara found success as a doctor and in 1993,
was appointed as dean of the Ohio University College of Osteopathic
Medicine, becoming the first black American woman to administer a
medical school in the United States. Rita Ross, Diana's younger sister,
became a teacher. Brothers Arthur and Wilbert "Chico" Ross
followed their sister into the recording industry and entertainment
business, respectively. Arthur became a songwriter for Motown writing
hits for Michael Jackson, The Miracles and Marvin Gaye while Chico
became a professional dancer and choreographer joining his elder
sister as a choreographer on her shows during the 1970s and 1980s.
He's since retired. Eldest brother Fred Ross, Jr., a veteran of the
Vietnam War, never followed his sister into show business settling
for civilian life in his native Detroit. Brother Arthur and his wife,
Patricia Robinson, were murdered in 1996 in Detroit. Their bodies
were found bound and gagged in their basement. As of this writing,
no one has been convicted of the murders. A state's witness reportedly
disappeared before the case's primary suspect could be tried.
Ross married twice. Her first husband was music business manager
Robert Ellis Silberstein, whom she married in January 1971. They
divorced in March 1977. In January 1986, after a romantic courtship,
Ross married billionaire Norwegian shipping magnate Arne Næss,
Jr.. After several years of legal separation, the couple were officially
divorced in 2000. Næss was later killed in a mountain climbing
accident in 2004. Ross attended the funeral.
Ross is the mother of five children. Daughter Rhonda Suzanne Silberstein
was born on August 13, 1971, Rhonda's biological father is Berry
Gordy. She is now married; her married name is Rhonda Ross Kendrick.
Ross and Silberstein had two daughters: Tracee Joy Silberstein, born
October 29, 1972 (now known as Tracee Ellis Ross) and Chudney Lane
Silberstein, born November 4, 1975 (now known as Chudney Ross). Ross
had two sons with Næss. Their sons are Ross Arne Næss
(born October 7, 1987) and Evan Olav Næss (born August 26,
1988), now known as Evan Ross). Ross became a grandmother when daughter
Rhonda gave birth to a boy, Raif-Henok Emmanuel Kendrick, in August
of 2009.
Rhonda and Tracee graduated from Brown University, and Chudney from
Georgetown University. All have followed their mother to show business.
Rhonda gained success as an actress in television movies and daytime
soap operas. Tracee was a co-star of the UPN sitcom Girlfriends.
Chudney is active in behind-the-scenes work and is also a model.
Son Ross currently attends New York's Marist College, where he is
a ski club member,[27] and has not followed his siblings into show
business. Youngest son Evan Ross is a successful actor, who starred
in the films ATL and Pride (co-starring Terrance Howard) and the
HBO film, "Life Support", co-starring Dana Owens (Queen
Latifah) and his older sister, Tracee Ellis-Ross. He currently is
starring in The CW's hit show "90210" playing the character
named Charlie.
A month after the Lil Kim incident, authorities at London's Heathrow
Airport detained Ross for "assaulting" a female security
guard. The singer claimed that she had felt "violated as a woman" by
the full-body search to which she was subjected while wearing a skintight
bodysuit. Ross complained to airport staff, but, was ignored. In
retaliation, she was alleged to have touched the female airport security
guard in a similar manner. The singer was detained but later released.[28]
In December 2002, Ross was arrested in Tucson, Arizona for drunk
driving. She pleaded "no contest", and later served a two-day
jail sentence near her home in Greenwich, Connecticut.[29] Following
the arrest and jail sentence, Ross stayed out of the American public
eye during much of the following year. She performed a well-received
set at Britain's Prince Charles' Prince's Trust concert, held in
London's Hyde Park, in 2002, but would not return to touring until
2004.
Ross was a close friend and longtime mentor of Michael Jackson,
with whom she co-starred in the 1978 film version of the Broadway
musical, The Wiz (a remake of The Wizard of Oz). After Jackson's
sudden death on June 25, 2009, Ross was named in his will as the
custodian of his children in the event of the death of his mother,
Katherine Jackson.[30] Ross was invited to speak at the memorial
held in Los Angeles on Tuesday July 7, 2009, but declined in a letter
read by Smokey Robinson at the ceremony. Like Jackson's other close
friends, Macaulay Culkin, Elizabeth Taylor, Quincy Jones, Liza Minnelli,
and his ex-wife Lisa Marie Presley, Ross stated that she wanted to
grieve in private. Ross dedicated her 2010–11 "More Today
Than Yesterday-Greatest Hits" tour to Michael Jackson.
[edit] In popular culture
Ross was portrayed by actress Samantha Kaine in the 2004 VH1 film
Man in the Mirror: The Michael Jackson Story, a biographical film
about Michael Jackson.
Actress Holly Robinson Peete portrayed Ross in the 1992 television mini-series
The Jacksons: An American Dream.
In the 1996 film Phenomenon (film), Forest Whitaker's character, Nate Pope,
is obsessed with Ross.
In an episode of the TV sitcom The Facts of Life titled "Out of the Fire",
Natalie (Mindy Cohn) purchases a novelty item: a Diana Ross clothes hanger.
Natalie comments, "it used to have backup hangers, but now she hangs alone".
In the 2001 comedy film Get Over It, the Dr Desmond Forrest-Oates character
once claimed he made a song for Ross, which even included a flashback of the
event, however Ross is not actually seen, only her leg passing (she did not,
however, actually star in the film).
In an episode of the TV sitcom Gimme a Break! titled "Alabamy Bound",
Nell Harper (Nell Carter) reminisces with sister Loretta (Lynne Thigpen) and
friend Addy Wilson (Telma Hopkins) about the girl group they had in the 1960s.
Loretta says "how we dreamed we'd be The Supremes". Addy adds "boy,
I had that dream", to which Nell replies, "no, no, no, that was my
dream! Because I was gonna be Diana Ross!"
Ross contributed her voice to the fictionalized version of herself in the debut
episode of popular 1970s classic cartoon by ABC entitled, The Jackson 5ive.
New Zealand band Diana Rozz take their name from Ross.
In the 2007 comedy "Juno", the main character, Juno MacGuff says
about her name, "Zeus had tons of lays, but I'm pretty sure Juno was his
only wife. She was supposed to be really beautiful, but really mean, like Diana
Ross."
In 2010, Keri Hilson portrayed Ross and The Supremes in the music video for
her song, "Pretty Girl Rock".
Her voice can be heard introducing The Jackson 5 at the beginning of the Jackson
5 medley in the film Michael Jackson's This Is It.
[edit] Solo discography
Main article: Diana Ross discography
[edit] Filmography
1964: T.A.M.I. Show (with The Supremes)
1965: Beach Ball (with The Supremes)
1972: Lady Sings the Blues
1975: Mahogany
1978: The Wiz
1994: Out of Darkness
1999: Double Platinum
2002: The Making and Meaning of We Are Family (documentary)
2010: Met With Sandra Ellison and Tamia Holmes
[edit] Television
1968: Tarzan (with The Supremes)
1968: T.C.B. (with The Supremes)
1969: G.I.T. on Broadway (with The Supremes)
1971: Diana!
1977: The Big Event: An Evening with Diana Ross
1979: Diana Ross in Concert!
1981: diana
1981: Standing Room Only: Diana Ross
1983: Motown 25: Yesterday, Today, Forever
1983: For One And For All – Diana Ross Live! in Central Park
1987: Diana Ross: Red Hot Rhythm and Blues
1989: Diana Ross: Workin' Overtime
1992: Diana Ross Live! The Lady Sings... Jazz & Blues: Stolen Moments
1994: Out of Darkness
1996: Super Bowl XXX
1999: Double Platinum
2000: VH1 Divas 2000: A Tribute to Diana Ross
2005: Tsunami Aid
2007: BET Awards 2007
2007: Kennedy Center Honors
2008: Nobel Peace Prize Concert
[edit] Autobiographies
Ross, Diana (October 1993). Secrets of a Sparrow. Random House.
ISBN 0679428747.
Ross, Diana; Rosanne Shelnutt (ed.) (December 2002). Diana Ross: Going Back.
New York: Universe. ISBN 0789307979. (A scrapbook-style collection of photographs)