Jody Vanessa Watley (born January 30, 1959, in Chicago, Illinois)
is an American, singer, songwriter, record producer, and founder
of Avitone Records whose music crosses genres from Pop, R&B,
Jazz, Dance and Electronic Soul. In 1987, she won the
Grammy Award for "Best New Artist." Along with Janet
Jackson and Madonna, she ranks as one of MTV Video Music Awards
most nominated female artists ever, with six nominations for
her ‘Real Love’ video.
To date, she is best known for her role in setting trends and standards
for style, music and video in the late 1980s and into the 90s. Early
in her solo career she was also noted for her commercial dance pop
stylings with a funky edge. Jody Watley is also noted as being
the first Pop/R&B singer to include a rapper on the specialized
verse/bridge with their collaboration on "Friends" featuring
Eric B. & Rakim, which would become a popular formula in commercial
Pop/R&B/Hip-Hop.
Watley has sold over 50 million albums and singles Worldwide.
In 2008, she was the recipient of a Lifetime Achievement Award from
Billboard magazine, and was also prominently featured in the
historic black issue of Vogue Italia in 2008.
Her early music influences are Diana Ross, Marvin Gaye, Stevie Wonder,
Michael Jackson, The Jackson 5, The Carpenters, Roberta Flack, Prince,
Grace Jones and various jazz artists including Nancy Wilson.[13]
Contents
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Early career: Soul Train and Shalamar (1977–1984)
Influenced by Diana Ross,[14] Watley made her first stage appearance
at 8 years old with family friend and godfather Jackie Wilson.[15]
She got her start on the TV dance show Soul Train at the age of 14.
Documented by Ebony magazine in 1977 as a part of "The New Generation," Jody
Watley was one of the most popular on the show and recognized as
a trendsetter for her style and dance moves.[16] As popular stand-outs
on the television show, Watley and fellow Soul Train dancer Jeffrey
Daniel were selected to join Gary Mumford and become original members
of the R&B group Shalamar by show creator Don Cornelius.[17][18]
(Mumford was shortly replaced by Gerald Brown, and Brown himself
was soon replaced by Howard Hewett as lead vocalist).[19] [20] The
lineup of Hewett, Watley, and Daniels would be the most successful.
Watley remained with the group from 1977 to 1984. The trio released
several albums and scored several hits including the US Top 20 "Dead
Giveaway", and the R&B hits "The Second Time Around", "For
The Lover In You", and "A Night To Remember". Watley,
however, found it challenging to get songs she had written onto Shalamar
albums; having limited success getting songs she wrote recorded[citation
needed]. Due to conflicts within the group and disagreements and
lack of payment from Solar Records, she eventually left the group
in 1984.[21]
Post-Shalamar, Watley moved to England, and while there she recorded
a guest vocal with British Jamaican roots reggae group Musical Youth[22]
for their album Different Style. She also recorded demos with Gary
Langan, Anne Dudley and J.J Jeczalik (who later became Art of Noise).
A brief stint with Phonogram Records where 2 singles were released
(in the UK, Europe & Australia - tho crucially not America) under
the moniker 'Jody' (no second name!), Where the Boys Are and Girls
Night Out.
Also during this era, and after departing the group, she took part
in Bob Geldof's historic Band Aid recording of "Do They Know
It's Christmas", which included Bono, Boy George, Sting, George
Michael and other prominent UK artists.
Jody Watley (1987 - 1988)
Jody Watley in Paris, France on location for 'Still a Thrill' Video
from solo debut.
After two and a half years in England, Watley returned to America
and secured a recording deal with MCA Records, eager to establish
her own identity.[23] Her album Jody Watley was released in March
1987, and she co-wrote six of the album's nine songs.[24] In an interview
with Rolling Stone Magazine, Watley would say that she wanted to
showcase her voice against "really funky hard dance tracks."[23]
The album's lead single, "Looking for a New Love", became
a smash hit with an instant catch-phrase "hasta la vista, baby",
and was certified gold.[25] The album peaked at #10 on the US Billboard
Top 200 Album Chart, number-one on the Billboard Hot R&B Albums
Chart, and sold two million copies in the US, and a total of four
million copies worldwide.[26] It produced five uptempo dance and
R&B singles that charted on the US Hot 100, with three peaking
in the top ten: "Looking for a New Love" (US #2, #1 Dance,
#1 R&B, UK #13); "Still a Thrill" (US #56, #3 R&B
#1 Dance); "Don't You Want Me" (US #6 #1 Dance #3 R&B); "Some
Kind of Lover" (US #10 #1 Dance #3 R&B); and "Most
of All" (US #60, #11 R&B)[27] Also included on her debut
album Jody Watley was the duet with George Michael, "Learn To
Say No", produced by Bernard Edwards.
At the 30th Annual Grammy Awards in 1988, Watley won the award for
Best New Artist, and was nominated for Best Female R&B Vocal
Performance. That same year, she also received nominations for four
MTV Video Music Awards and three Soul Train Awards.
Shortly after winning the Grammy Award, Watley would be featured
in Harper's Bazaar Magazine photographed by Francesco Scavullo.[28]
Larger than Life (1989)
Jody Watley 1989.
In the spring of 1989, Watley released her second album, Larger
than Life, co-writing eleven of the album’s twelve songs. The
album sold over four million copies worldwide, reaching #16 on the
Billboard Top 200 Album Chart, and produced four singles: "Real
Love" (US #2, #1 R&B, #2 Dance, UK #31), a US gold single
and her first top 40 UK single since "Looking for a New Love"; "Friends" featuring
Eric B. & Rakim, (US #9, #3 R&B, #7 Dance, UK #21); and "Everything" (US
#4, #3 R&B), her first ballad release. The album's fourth and
final single, "Precious Love", was a minor hit, peaking
at #87 in the US.[29] "Friends" (along with Chaka Kahn's
I Feel for You) is notable for being one of the first hit singles
to include the formula of a Pop/R&B singer featuring a guest
rapper with the custom full 16-bar verse bridge concept, which would
become popular throughout the 1990s and 2000s.[9][10]
During the summer of 1989, Watley’s "Real Love" video,
directed by David Fincher, was nominated for seven MTV Video Music
Awards including Breakthrough Video, Best Art Direction, Best Dance
Video, and Best Female Video at the 1989 award show. That record
was held until Michael Jackson and Janet Jackson's video "Scream" received
11 VMA nominations in 1995. The next year, she was nominated for
two Soul Train Awards, an NAACP Image Award for Outstanding Female
Artist, and a Narm Award for Best Selling R&B Female Album. While
riding high on her Larger Than Life World Tour, a remix album, You
Wanna Dance with Me?, was released in October 1989 and achieved gold
status in America.
1989 also saw Watley featured in Harper’s Bazaar "Ten
Most Beautiful Women" issue, photographed by Matthew Rolston.[30]
That same year Jody Watley appeared on the cover of the Japanese
high fashion magazine SPUR for its debut issue.[31]
Music and Fashion (1990s and Beyond)
Jody Watley Harper's Bazaar, 1991
In 1990, Watley would continue to be involved with fashion. On her
second album, she was photographed by fashion photographer Steven
Meisel, where she continued to make her own style statements.[30]
In the videos for "Real Love", Watley would introduce a
higher fashion aesthetic blending vintage and custom designs.[30] "Friends" mixed
couture by Jean-Paul Gaultier, with an urban sensibility. She released
a million-selling home video, Dance To Fitness. She was featured
in the first celebrity ad campaign for Gap[32] LA Eyeworks and in
magazines such as Harper’s Bazaar, Vogue, Vogue Italia, Rolling
Stone, Essence, and Vanity Fair.[33] She was named one of the 50
Most Beautiful People of 1990 in People Magazine.[34]
In the same year, she contributed a jazzy rendition of "After
You, Who?" the compilation album "Red Hot + Blue",
an AIDS-awareness charity recording of songs by Cole Porter produced
by the Red Hot Organization.
Watley was photographed by famous photographer, Victor Skrebneski,
for the popular Saks Fifth Avenue Defining Style Fall Catalog, where
she appeared in a 15 page high fashion layout in 1996.[35]
In 2006, Watley would walk the runway with designer Kevan Hall for
LA Fashion Week.[36]
She is also noted as an influence on contemporary designer Malan
Breton of Project Runway.
Affairs of the Heart (1991-1992)
Jody Watley photographed with President George H. Bush, First Lady
Barbara Bush, 1992.
Watley would state that she was eager to change her musical range
and image, and no longer wanted to be seen as just a dance diva.[37]
She was inspired toward a more introspective approach for ‘Affairs
Of The Heart", wanting to address social concerns.[38]
In December 1991, Watley released her third album, Affairs of the
Heart, described by Justin Kantor in Guide to Soul as an overlooked
standout of her 80s and 90s output.[39] The album peaked at #124
on the US chart, and #21 on the R&B/Hip-Hop Albums Chart.
The lead single, "I Want You," failed to crack the top
40, peaking at #61 on the Billboard Hot 100 chart, though peaking
at #5 on the US R&B singles chart, and #17 Dance. The second
single, "I'm The One You Need", reached #3 Dance and peaked
at #19 on the US Hot 100. The final single was the ballad "It
All Begins With You", her first single to miss the US Hot 100.
Watley earned an invitation by President George H. W. Bush in 1992
to perform this song at the White House.[40] Watley used the opportunity
to encourage the government to provide more support and funding for
public schools.[40] "
Watley recorded "It's All There" for the movie "Switch" with
legendary composer Henry Mancini.[41]
Intimacy (1993-1994)
Promotional photo, 1993
Apparently undeterred by disappointing sales, Watley would say she
was more concerned with broadening her creative boundaries than in
just having huge record sales.[42] In November 1993, MCA released
her fourth solo album, the introspective relationship themed Intimacy.
Noting that the New Jack Swing was all the rage in R&B at the
time, Amy Linden wrote in People Magazine that Intimacy continued
the process of Watley’s move toward more refreshingly adult
themes and that Watley was deserving of serious attention.[43] Watley
herself acknowledged that the songs she wrote were always personal
statements.[44]
Intimacy with its songs of "romance and angst"[44] reached
#164 on the US Top 200 Album Chart and #38 on the Top R&B/Hip-Hop
Albums Chart. The first single was "Your Love Keeps Working
On Me", not a Hot 100 hit, peaked at #2 Dance and #26 R&B/Hip-Hop.
Watley added video director to her resume for the next single, the
spoken word tune "When a Man Loves a Woman".[45] "When
A Man Loves A Woman" reached #11 Hot R&B/Hip-Hop and US
#8 Dance. Although not a pop hit in the US or UK as well, the BBG
Remix of this song topped the Dance charts in the UK. The album also
contained the song "Ecstasy", produced by David Morales,
which became an underground hit and later appeared on her Greatest
Hits collection. Like its predecessor, "Intimacy" would
not be a strong seller, but would continue to give Watley better
critical success.
Affection (1995)
Having parted ways with MCA Records, Watley took an independent
path and started her own label, Avitone Records, and released her
fifth solo album, Affection, in July 1995. The album was engineered
and produced by the legendary Booker T. Jones and Angelo Earl.[46]
She aligned Avitone with the independent Bellmark Records for distribution.
According to a review of the album "Affection" by Jose
Promis of Allmusic, the release lacked the urgency and immediency
of her dance-era hits, but was an engaging collection of slow burners,
mid tempo and jazzy R&B.[47] The album’s title track, "Affection",
didn't crack the Hot 100 but became a moderate R&B hit, peaking
at #28 on the Hot R&B/Hip-Hop Singles & Tracks chart[48]
Greatest Hits (1996)
Jody Watley on Broadway in New York as Rizzo in Grease, 1996.
In 1996, Watley played Rizzo in the musical Grease on Broadway Theater
in New York City, the first African American woman to play the role.[49]
Watley was photographed by famous photographer, Victor Skrebneski,
for the popular Saks Fifth Avenue Defining Style Fall Catalog, where
she appeared in a 15 page high fashion layout.
That fall, Watley appeared on the platinum-selling single "This
Is For The Lover In You" by Babyface. The single also featured
LL Cool J and Watley’s former Shalamar bandmates Howard Hewett
and Jeffrey Daniel, essentially reforming the group for the single.
It was a remake of Shalamar’s R&B hit "For The Lover
In You". As the year wound to a close, Watley took a hiatus
from her own Avitone label, and signed with Big Beat/Atlantic Records.
The same year MCA Records released a Greatest Hits album with Watley’s
recordings for MCA.
Flower (1997-1998)
After spending most of 1997 in the recording studio crafting her
sixth studio album, Flower, Watley was back in early 1998 with its
lead singles "Off The Hook" and "If I'm Not In Love." "Off
The Hook" peaked at #23 on the Billboard R&B Singles Chart
and #73 Billboard Hot 100 but fared much better on Billboard’s
Hot Dance Music/Club Play chart. Propelled by remixes from Masters
At Work and Soul Solution(Dance act), the track reached #1 on the
dance chart, making it her first #1 Hot Dance Music/Club Play hit
in nine years. Later the same year, a single of "If I'm Not
In Love" was released, with promo mixes by Sal Dano (credited
as BK Dano) and Lenny Bertoldo, and that song reached #2 on the Hot
Dance Music/Club Play chart.
Big Beat Records was absorbed into its parent label, Atlantic Records,
which then shelved the album from a U.S. release, and left Watley
in legal limbo for two years.[50] Flower was, however, released in
Canada, Great Britain, and Japan. The critically acclaimed release
was championed by many UK magazines, including Blues and Soul and
Echoes among others.
The Saturday Night Experience (1999)
Jody Watley during Saturday Night Experience era.
It was during the time she was unable to record, that Watley says
she was inspired by 4Hero whose 1998 album Two Pages exposed her
to the underground electronic dance music out side of the mainstream;
she credits this inspiration for not retiring after the disappointment
of how Flower was handled.[50] The Saturday Night Experience Vol.
1, as Watley told music historian David Nathan.
In November 1999, Jody reactivated her independent label, Avitone,
and released her seventh studio album via Universal Japan The Saturday
Night Experience featuring Jody Watley Vol. 1, a collection of organic
club music tracks, inspired by her newfound love of electronic music.
It was released exclusively in Japan along with a single, "Another
Chapter," with remixes by DJ Soma. Also included on the project
was the drum and bass title song "Saturday Night Experience." As
Watley told music historian David Nathan, "The Saturday Night
Experience" was intended to be a concept album, aimed at people
looking for something different.[50] The Saturday Night Experience
, as told to music historian David Nathan, Watley stated she had
no desire to release the project in the U.S.[51]
The title song of the same name was licensed to Giant Step and included
on their compilation "Giant Sessions, Volume 1 Mixed by Ron
Trent".[52]
The following year, MCA released 20th Century Masters: The Millennium
Collection: The Best of Jody Watley.
Midnight Lounge (2001-2005)
Jody Watley meeting Queen of Malaysia in 2005.
In 2001, Jody released her eighth studio album, Midnight Lounge
in Europe and Japan. In an interview with Billboard Magazine Watley
would say, "An artist should always explore new frontiers."[53]
"Midnight Lounge" was a collection of tracks that combined
a blend of soul, jazz, R&B, and electronic club music.[54][55]
After achieving moderate success in its original release, Watley
arranged for it to be released in the U.S. through her Avitone imprint
in a short-term license deal with Shanachie Records on March 11,
2003. Midnight Lounge was Watley’s first studio album released
in the U.S. in eight years, reaching Top 20 status on Billboard Top
Electronic Albums chart. Roy Ayers appeared on the Masters At Work
produced, "I Love to Love", Junior Vasquez and several
other producers contributed remixes to the single release of "Whenever",
bringing the track to #19 on the Billboard Hot Dance/Club Play Chart.
One of the album’s other singles, "Photographs",
became notable in the underground club scene with mixes by Phil Asher
and East West Connection. The music and growth of Watley would achieve
critical acclaim for the project and Watley, noting she had successfully
updated her sound over the years and evolved successfully into a
soulful chantese.[55][56][57][58]
In 2005, Watley made history on the Billboard Hot Dance Music/Club
Play Chart when she re-released her 1987 hit "Looking For a
New Love." The 2005 remix reached #1 on the Billboard Dance/Club
Play chart, making her the first artist ever to take the same song
to #1 in two different decades. Jody Watley now has the distinction
of being among the few artists who have been to #1 on Billboard’s
Hot Dance Music/Club Play chart in all of the past three decades
(the 1980s, 1990s, and 2000s).
The same year, Watley was invited to participate in the Force of
Nature Relief Concert[59] to aid the victims of the 2004 Indian Ocean
earthquake.[60] During the trip Watley and others (including The
Black Eyed Peas, Lauryn Hill, and Jackie Chan) were invited to the
Royal Palace to meet The King and Queen of Malaysia for a special
Tea reception in showing their gratitude for all involved with Force
of Nature.[61]
The Makeover (2006-2009)
The Makeover would bring Watley together with 4Hero and King Britt
among others in a chilled electronic out musical style.[62][63] Understanding
the shifting paradigms in the music industry and the changing business
models,[64][65] Watley’s Avitone Recordings arranged for The
Makeover to be released exclusively to the Virgin Megastore chain
in its first ever CD exclusive.[66] It debuted at #1 for the retailer,
and was accompanied by a Virgin mini-tour where she performed for
customers and signed copies of the CD.[67][68] The first single was
a cover of Madonna's "Borderline". The single reached #2
on the Hot Dance Music/Club Play chart in January 2007. The second
single, a cover of Chic's "I Want Your Love," reached #1
on the Hot Dance Music/Club Play in June 2007.[69]
Jody Watley promoting 'The Makeover' in-store.
In 2007, Watley was listed as #5 in the Year End Billboard Dance
Play Artists. Her single "I Want Your Love" was #15 and "Borderline" #19
according to Billboard Year End Chart Review for 2007.[70][71] In
January 2008, "I Want Your Love" topped the U.K. Dance
Charts in January, giving her her first U.K. mainstream dance hit
in two decades.[72]
In 2008, she launched an online music store,[73] while scoring another
Top Five Billboard Dance Single, "A Beautiful Life,"[74]
bringing the total of Top Five Singles for The Makeover to three.
In May 2008, continuing over a decade of support for various charities
dedicated to raising funds and awareness for HIV and AIDS, Watley
performed at Life Ball, Europe's largest gala for the cause held
in Vienna, Austria.[75]
In May 2009, Watley’s Avitone signed a distribution deal with
London based Alternative Distribution Alliance Global.[76]
In October 2009, an "International" version of "The
Makeover' was released in the U.K. to positive reviews. Pete Lewis
from Blues & Soul noted her evolution as an artist and performer
as being showcased on the album. Further stating Watley being hailed
by some, as exemplifying the 21st century recording artist continuing
to exercise her own creative path.[77]
Distinguishable from the original release, The Makeover "International
Edition" featured new cover art and track listing. New inclusions
featured the bossa-soul rendering of Bob Marley’s "Waiting
in Vain", a sparsely arranged version of Carole King's 60s ballad "Will
You Still Love Me Tomorrow", Erasure's anthem "A Little
Respect", and a reworking of the Diana Ross dance classic "Love
Hangover". Replacing the downtempo ambient version found on
the 2006 "The Makeover", Watley recorded the new arrangement
originally suggested by songwriter Pam Sawyer, for Ross.[77][78]
Reg Dancy from Basic Soul would write that Watley was able to handpick
songs and make them seem as if they had been written for her.[79]
Added to the line-up of producers which included King Britt, Mark
de-Clive Lowe, 4Hero, DJ Spinna, and longtime co-collaborator Rodney
Lee, are remixer/producers Marco Zappala from Brazil and Craig C.
from the UK.
In February 2010 Jody Watley joined Jamie Foxx onstage at a post
Grammy event for a duet performance of her signature hit "Looking
For a New Love" [80] and also appeared in the VH1 documentary "Soul
Train: The Hippest Trip In America".[81]
Watley is currently finishing her 10th solo album, "Chameleon".
Initially intended for release in 2010, she recently stated via a
fan video greeting that the project is a work in progress.[82]
Discography
Main article: Jody Watley discography
Tours
Larger Than Life Tour (1989)
Awards and nominations
Year Award
1987 Grammy Award for Best New Artist
1987 Grammy Award nomination for Best Female R&B Vocal Performance, "Looking
for a New Love"
1988 Soul Train Music Award nomination for Album of the Year (Female),
Jody Watley
1988 Soul Train Music Award nomination for Single of the Year (Female), "Looking
for a New Love"
1988 Soul Train Music Award nomination for Best Music Video, "Looking
for a New Love"
1988 American Music Award nomination for Favorite Soul/R&B Single, "Looking
For A New Love
1988 MTV Video Music Award nomination for Best Female Video, "Some
Kind of Lover"
1988 MTV Video Music Award nomination for Best New Artist, "Some
Kind of Lover"
1988 NAACP Image Award Nomination Best R&B Female Artist
1989 Narm Award nomination for Best Selling R&B Female Album,
Larger than Life
1989 MTV Video Music Award nomination for Best Female Video, "Real
Love"
1989 MTV Video Music Award nomination for Best Dance Video, "Real
Love"
1989 MTV Video Music Award nomination for Best Direction, "Real
Love"
1989 MTV Video Music Award nomination for Best Art Direction, "Real
Love"
1989 MTV Video Music Award nomination for Best Editing, "Real
Love"
1989 MTV Video Music Award nomination for Breakthrough Video, "Real
Love"
2007 Billboard Lifetime Achievement Award
Personal life
She has two children, Lauren and Arie, and was married to producer
André Cymone Berwin Houston].