Videos: Nas & Damian Marley

As We Enter

Land Of Promise

Nah Mean

Patience

Distant Relatives is a collaborative studio album by American rapper Nas and Jamaican reggae artist Damian Marley, released May 18, 2010, on Universal Republic and Def Jam Recordings. Production for the album took place during 2008 to 2010 and was handled primarily by Damian Marley and Stephen Marley. Fusing musical elements of hip hop and reggae, Distant Relatives features lyrical themes concerning ancestry, poverty, and the plight of Africa.

The album debuted at number five on the US Billboard 200 chart, selling 57,000 copies in its first week. Upon its release, Distant Relatives received positive reviews from most music critics.
Contents
[show]
[edit] Background

News of the album first came at the 2009 Grammy Awards, when Nas told MTV reporters "Right now, I'll tell you first, I'm working on an album with Damian Marley. We tryin' to build some schools in Africa with this one, and trying to build empowerment. We're tryin' to show love and stuff with this album. So, the record's … all about really the 'hood and Africa also as well.[2] The album title derives from Nas and Marley's relationship, their shared African ancestry, and the shared ancestry of the entire human race; which musically and lyrically inspired each recording.[3][4] Leftover tracks from Nas and Marley's previous albums were originally planned for an EP based on Africa. After working together, the duo decided to record a full album together.[5]
[edit] Recording and production

Nas and Marley began recording in 2008; recording sessions took place in Los Angeles, California, and Miami, Florida. Marley and his brother, Stephen, produced the majority of the album, using live instrumentation in the recording process.[6] They collaborated with guest artists, including Stephen Marley, Joss Stone, Lil Wayne, and K'naan.[5][7] On the album's production, Marley told Rolling Stone, "We're trying to have a sound that's reminiscent of both of us, but not exactly like either... A lot of charity albums come off corny. We want this to be something you'd play in your car."[6]
[edit] Music

Fusing hip hop and reggae musical elements,[8] Marley and Nas also incorporated samples from African music into the album.[5] The album's lyrical content heavily revolves around themes concerning Africa, from ancestry and poverty,[5][9] with social commentary of the United States and Africa.[8][10] The track "Count Your Blessings" reflects on the plight of Africa.[6]
[edit] Release and promotion
Nas and Marley performing in Wellington, New Zealand

The album was released May 18, 2010 on Universal Republic and Def Jam Recordings.[11] Its proceeds will go to a project in Africa, with the possibility of building a school in the Congo.[6]
[edit] Panel discussion

At a sold-out panel discussion on the African diaspora and its relation to music, sponsored by National Geographic, Damian and Stephen Marley and Nas were among the several hip hop and reggae musicians voicing their solidarity. The discussion focused on the collaborations between artists of the two genres, and highlighted the Distant Relatives project.[12]
[edit] Singles

The first single, "As We Enter", was released on iTunes on February 23, 2010.[13] It has so far peaked at #10 on the iTunes Hip Hop/Rap charts and #41 on the iTunes Music charts. The single debuted at number 39 on the UK Singles Chart.[14] "Strong Will Continue" is featured in the soundtrack for 2010 FIFA World Cup video game. "My Generation" was released in the United Kingdom on August 30, 2010.[1]
[edit] Reception
[edit] Commercial performance

The album debuted at number five on the US Billboard 200 chart with first-week sales of 57,000 copies.[15] It serves as Nas's tenth top-ten album and Marley's second top-ten album in the United States.[15] The album also entered at number four on Billboard's Digital Albums,[16] and at number one on its R&B/Hip-Hop Albums,[17] Rap Albums,[18] and Reggae Albums charts.[19]

Internationally, Distant Relatives attained some chart success.[20][21] It entered at number 33 on the European Top 100 Albums chart.[22] In the United Kingdom, it debuted at number 30 on the UK Albums Chart and at number four on the R&B Albums Chart.[23][24] In Canada, the album entered at number 10 on the Top 100 Albums chart.[25] In Germany, it debuted at number 38 on the Media Control Charts,[26] and in the Netherlands, the album debuted at number 72 and peaked at number 65 on the Mega Album Top 100.[21]
[edit] Critical response
[hide] Professional ratings
Review scores
Source Rating
Allmusic 4/5 stars[27]
Robert Christgau (A-)[28]
Entertainment Weekly (B+)[29]
The Guardian 4/5 stars[30]
Los Angeles Times 2.5/4 stars[31]
Pitchfork Media (6.1/10)[32]
PopMatters (7/10)[33]
Rolling Stone 3/5 stars[34]
Slant Magazine 4.5/5 stars[35]
The Village Voice (mixed)[36]

Distant Relatives received positive reviews from most music critics.[37] At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 73, based on 23 reviews, which indicates "generally favorable reviews".[37] Allmusic writer David Jeffries complimented its themes concerning Africa, calling it "one purposeful monster and a conceptional bull's eye that fully supports its title".[27] Entertainment Weekly's Simon Vozick-Levinson commended Nas's and Marley's "righteous tones that only occasionally lapse into preachiness".[29] Sputnikmusic's Ryan Flatley gave the album four out of five stars and commented that "Nas and Damian Marley are a formidable pairing, seemingly on the same level throughout most of the album in thought and overall presence".[38] Steve Jones of USA Today gave it three-and-a-half out of four stars and called it "[a] potent and often provocative collaboration".[39] Dave Simpson of The Guardian described its music as "thoughtful, sincere, weighty stuff, tackling subjects from African poverty to the diamond trade without sounding preachy or schmaltzy".[30]

In contrast, Spin's J. Gabriel Boylan gave the album a six out of 10 rating and found its "revelatory message blunted by digressions".[40] Sean Fennessey of The Village Voice viewed it as "rudimentary", calling the album "a tasteful affair full of uninteresting revelations and self-serious proclamations".[36] Los Angeles Times writer Jeff Weiss commented that the album "vacillates between the dreary and dynamic" and viewed its "didacticism" as a weakness, stating "leadened by reductive philosophies and crippling self-seriousness, the record often feels overly ponderous".[31] Pitchfork Media's Tom Breihan found the album's lyrics trite and stated "Nas and Marley fall into a sort of middlebrow funk, kicking overripe platitudes over sunny session-musician lopes and letting their self-importance suffocate their personalities [...] When these guys stop trying to be positive and just vent, they do great things".[32] Nathan Rabin of The A.V. Club called it "an Afrocentric manifesto sometimes loaded down by the weight of its noble ambitions".[41] While noting that its "live-band reggae sometimes feels sleepy", Rolling Stone writer Christian Hoard stated "Nas is there to slap the track awake".[34] Jesse Serwer of The Washington Post commented that Nas "is often guilty of coasting [...] leaves the heavy lifting to Marley", but praised each artists' "inspired lyrical performances".[42]

David Amidon of PopMatters stated "The collision between hip-hop and reggae is a little overblown [...] but the alchemy between Nas and Junior Gong’s voice is obvious and engenders a strong sense of unity".[33] BBC Online's Mike Diver complimented "the balance between Zion-celebrating lyricism and the real-life observations that accompany hip hop".[43] Slant Magazine's M.T. Richards called the album "a bright, richly cultured work" and praised its themes of humanity and humility, writing that it "shines with passion and zeal, both in its content and production, which oozes earthy warmth".[35] Jesal Padania of RapReviews stated "neither Nas nor Marley come across too preachy [...] yet they also manage not to patronise Africa".[44] In his consumer guide for MSN Music, critic Robert Christgau gave Distant Relatives an A- rating,[28] indicating "the kind of garden-variety good record that is the great luxury of musical micromarketing and overproduction".[45] Christgau complimented Marley's production and the album's themes, stating "The result is an exceptionally melodic reggae album that's intensified by rapping devoid of dancehall patois and a hard edge unknown to roots revivalism. The result is also an exceptionally political hip-hop album that's most convincing when it doesn't multiply Afrocentric distortion by Rastafarian reasoning".[28]
[edit] Track listing

All tracks were produced by Damian Marley except tracks 4, 9, and 11, produced by Stephen Marley.

No. Title Writer(s) Length
1. "As We Enter" Nasir Jones, Damian Marley, Mulatu Astatke 2:58
2. "Tribes at War" (featuring K'naan) Jones, Marley, Keinan Warsame 4:30
3. "Strong Will Continue" Jones, Marley 6:02
4. "Leaders" (featuring Stephen Marley) Jones, Marley, Stephen Marley 4:20
5. "Friends" Jones, Marley 4:49
6. "Count Your Blessings" Jones, Marley 4:24
7. "Dispear" Jones, Marley 5:53
8. "Land of Promise" (featuring Dennis Brown) Jones, Marley, Dennis Brown 3:54
9. "In His Own Words" (featuring Stephen Marley) Jones, D. Marley, S. Marley 5:00
10. "Nah Mean" Jones, Marley 4:09
11. "Patience" Jones, Marley, Amadou Bajayoko, Mariam Doumbia 5:46
12. "My Generation" (featuring Joss Stone & Lil Wayne) Jones, Marley, Dwayne Carter 4:00
13. "Africa Must Wake Up" (featuring K'naan) Jones, Marley, Warsame 6:41
[show]iTunes bonus track

Sample credits

List of samples used for Distant Relatives adapted from liner notes.[46]

'As We Enter' contains samples of Mulatu Astatke's song Yegelle Tezeta.
'Tribes at War' contains a sample from Tribal War by Earl Lowe.
'Friends' contains a sample from Undenge Uami by David Zé.
'Land Of Promise' contains a sample from Promised Land by Dennis Brown.
'Nah Mean' contains a sample from Kurikute by Sara Chaves.
'Patience' contains a sample from Sabali by Amadou & Mariam from the album Welcome to Mali.
'My Generation' contains a sample from Generation by Ziggy Marley.

[edit] Personnel

Credits for Distant Relatives adapted from Allmusic.[47]

Luke Aiono – guitar
Rahsaan Alexander – vocals (bckgr)
Chris Athens – mastering
Kreiger Bailey – vocals (bckgr)
Amadou Bajayoko – composer
Miguel Bermudez – assistant
Chad Blaize – vocals (bckgr)
Dennis Brown – composer, vocals (bckgr)
Llamar "Riff Raff" Brown – keyboards
Ann Marie Calhoun – violin
Andrea Carter – guitar
James "Bonzai" Caruso – mixing
Jason Chantrelle – A&R
Daniel Chappell – brass
Squiddly Cole – percussion, drums, keyboards
Shiah Coore – bass, drums, vocals (bckgr), handclapping
Greg DePante – assistant
Courtney Diedrick – drums, handclapping
Sean Diedrick – keyboards
Mariam Doumbia – composer
Dwayne Carter – composer
Nabil Elderkin – photography
Paul Fakhourie – bass, keyboards
Andre "Illestr8" Forrest – vocals (bckgr), handclapping
Rovleta Fraser – vocals (bckgr)
Nesta Garrick – art direction, design
Neville Garrick – photography, art consultant
Marcus Garvey – quotation author
Rannoy Gordon – guitar
Andrew Green – engineer
Tim Harkins – engineer
Phillip "Winta" James – keyboards, vocals (bckgr), handclapping
Nasir Jones – composer, executive producer, producer
Keinan Warsame – composer

L.A.'s Best Sunny Brae Choir – vocals (bckgr)
Marc Lee – engineer
Funji Legohn – brass
Casey Lewis – engineer
Damian "Junior Gong" Marley – composer, producer, programming, vocals (bckgr), handclapping, executive producer
Stephen Marley – guitar, composer, keyboards, programming, producer
George Massa – engineer
Christopher Merridith – bass, guitar, keyboards
Jah Amen Mobley – vocals (bckgr)
Leon Mobley – percussion, vocals (bckgr)
Vernon Mungo – engineer
Josh Newell – engineer
Bobby Newland – assistant
Steve Nowa – assistant
Oakwood School 5th Grade Choir – vocals (bckgr)
Raymond Onyai – vocals (bckgr)
George Pajon – guitar
Lisa Parade – director
Josef Powell – vocals (bckgr)
José Quintero – assistant
Benjamin Reid – engineer, assistant
Mike Rowe – keyboards
James Rudder – assistant
Noelle Scaggs – vocals (bckgr)
Miles Tackett – cello
Charles Wakeman – engineer, mixing, assistant
Oren Waters – vocals (bckgr)
Will Wheaton – vocals (bckgr)
Roselyn Williams – vocals (bckgr)
Betty Wright – vocals (bckgr)
Eric "Twizted" Young – assistant
Gabriel Zardes – A&R
Danny Zook – sample clearance

[edit] Charts
[edit] Chart positions
Chart (2010)? Peak
position?
Austrian Albums Chart[20] 53
Canadian Albums Chart[25] 10
Dutch Albums Chart[20] 72
German Albums Chart[26] 38
Norwegian Albums Chart[21] 32
Swedish Albums Chart[21] 42
Swiss Albums Chart[20] 11
UK Albums Chart[23] 30
UK R&B Albums[24] 4
US Billboard 200[48] 5
US Billboard R&B/Hip-Hop Albums[17] 1
US Billboard Rap Albums[18] 1
US Billboard Reggae Albums[19] 1